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Save this picture! Marston Street Elevation The reception and entry becoming a shared experience for visitors and staff alike. The need for great food and coffee to build strong social interaction, fuel the creative process and express the community culture of the practice was deliberately brought upfront to be highly visible. Throughout the studio the ‘hydrostations’ have been placed to encourage interaction and energise behaviour. The ‘Sandpit’, the ‘Terraces’ mini theatre, the ‘Snug’ private space, the deliberately ambiguous ‘Open Meeting’ zone and at the social heart, the fully barista operated ‘Jx Café’. This is reflected in the variety and number of meeting spaces that has been dramatically expanded to include a range of highly facilitated meeting rooms, named S, M, L and XL and a larger number of informal and less conventional meeting spaces. The spatial concept also recognises that the formality of business is evolving and that an essential ingredient is collaboration. Their placement separates and defines team spaces and celebrates the individual effort. #Practice image for separation studio seriesThis produced a series of isolated coloured “tool boxes” that contain the creative support tools of model making, printing and art supply, which assist the practices creative endeavours. ![]() The answer was to place defined objects within the space. The hedge provides visual amenity and relief within an intensified urban development and respects and moderates the privacy of the neighbouring residential apartments. This vertical garden consists of a planter along the length of Eglon Street from which Three Kings vines rise through stainless steel tension stays to the front of the façade. The new building extension is conceived as a green hedge along the edge of Eglon Street linking the green embankments of Fraser Park with the Pohutukawa lined Parnell rise ridgeline. Providing the perfect business answer to the needs and values of this expanding practice. However, equally important was the opportunity to be able to author a unique and identifiable architectural solution that reused a tired existing warehouse and adding a purpose designed extension. The new studio location within the regenerating fringe of Auckland City, between Parnell and the City, was chosen in part for its proximity to public transport and a rejuvenating creative neighbourhood. The decision to review the performance of their offices three years ago started the practice of Jasmax on an exciting journey… just as it had 10 years earlier with the move to Upper Queen Street. Sustainability and Performance in ArchitectureĪrchitects: Jasmax Location: Auckland, New Zealand Program: Jasmax Auckland Studio Building Owner: KCL Property Construction Year: 2008-2009 Project Area: 2400 m2 Photographs: Simon Devitt ![]() #Practice image for separation studio freeI suppose using clone stamp with a lower than 100% flow would help with this as you can still show the wrinkles but to a lesser degree? Would you do this kind of work on a copy of the high frequency layer? In an older free tuturial Aaron was using the gaussian blur technique for smoothing out color gradients on the low frequency and I still seem to get better results like that than working on a new layer with just the brush tool.The Future of Architectural Visualization #Practice image for separation studio how toSomebody also mentioned that it would be nice to know how to edit older skin and I’d be very interested in that as well. Sometimes if I try to run the action again the new group changes the image, is this because of different blur radius setting or something else? I haven’t yet understood when you can run it again and when not. I also find it that you kind of have to know how to paint pretty well and see through painters eyes what parts need enhancing and what parts needs to be smoothened out. I do however find it’s really easy to overdo and get an unnatural look. I’m loving this and I’ve learned to retouch portraits so much better thanks to this technique. ![]()
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